Taking inspiration from colonies of ants and patterns in nature, the drawing reached it's final destination in the second gallery room with a more condensed cluster of marks.
I felt the piece had a real presence in the gallery, like a crack along the wall from afar - its unexpected nature drawing viewers to inspect. Yet the abstracted line drawing also held a subtlety, hiding itself around corners and requiring a close look to take in the details and spot the pencil marks. The piece utilised the wall panels and window sill, curving and climbing around the space interacting and responding to the architecture of the space.